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Carbon Paper & Nitrogen Ink by Adam B. Silverman. » Hear more Silverman on SoundCloud »

about composer ADAM SILVERMAN

Adam Silverman (born 1973 in Atlanta, GA) is a composer who lives in Swarthmore, PA. He teaches music composition, theory, songwriting and orchestration as Associate Professor of Music Theory and Composition at West Chester University and works actively creating new compositions that are performed on concerts worldwide.

Adam Silverman

Silverman's compositions feature a broad variety of instrumental and vocal settings, and his most frequently performed works have been for opera, percussion ensemble, cello (including many compositions for accompanied and unaccompanied solo cello, and both original works and arrangements for cello choirs). Most recently, he has composed a string of concertos: one for saxophone and wind ensemble, one for marimba and wind ensemble, and a double concerto for violin, cello and orchestra.

As a youth, Silverman began his musical training as a pianist and taught himself to play guitar. By age 16, he was writing original songs and performing in local bars where, were he not in the band, he would have been refused entry as an underage patron. At college, he began to study classical music and composed his first works, studying at Tulane University, the University of Miami, The Vienna Musikhochshule, and earning graduate degrees at The Yale School of Music. He continued his training as a composer through participation at summer music festivals including Tanglewood, where he received the prestigious ASCAP-Leonard Bernstein Fellowship.

Silverman began his career in the early '00s as a founder of the Minimum Security Composers Collective, a group of four composers who combined the creation of new works with an entrepreneurial spirit that included concert production and promotion. With Minimum Security, Silverman collaborated with leading ensembles including Eighth Blackbird, for whom they composed an evening-length production that was featured on tour across America, including performances at Carnegie Hall, Lincoln Center's Alice Tully Hall, and other prominent venues. At this time, Silverman also began composing music for many of America's leading ensembles: ''Sturm'' for The Amelia Piano Trio, ''Kicking and Screaming'' for The Albany Symphony Chamber Orchestra, ''Ricochet'' for Strata and the Piccolo Spoleto Festival, ''Corrie Q's Jigs and Reels'' (String Quartet No. 3) for the Corigliano Quartet, and many others.

Inspired by an exhibit on the children of the Holocaust at the Yad V'Shem Museum in Jerusalem, Silverman composed the opera ''Korczak's Orphans'' in collaboration with poet Susan Gubernat. This grand opera for a large cast of soloists, orchestra and children's choir, centers around the tragic heroism of a Jewish author and orphanage director in World War II Poland. It has been performed in staged and concert-workshops by New York City Opera, Real Time Opera, The Atlanta Young Singers, and The Brooklyn Opera Company. Silverman's second opera, ''Griselda e il Marchese di Saluzzo,'' is an Italian-language operatic "short" based on a tale from Boccaccio's ''The Decameron''; scored for just seven musicians, four soloists and a small women's choir, it was composed for International Opera Theater, and was performed in 2010 and 2011 in Philadelphia, in Pieve, Italy, and in Saluzzo, Italy - the town in which Griselda's story was set in Boccaccio's 14th century novella.

Silverman's dramatic music extends beyond opera. In collaboration with In Parenthesis Theater, he composed music for ''Le Colonel des Zouaves'' (2005), a Dadaist theater piece by French dramatist Olivier Cadiot, set for solo actor and men's chorus.

In 2008, New Focus Recordings released a CD devoted to Silverman's compositions, and individual compositions of his have also appeared on CDs by the Prism Saxophone Quartet, cellist Amy Sue Barston, The Florida State University Percussion Ensemble, and others, all of which are widely available online.

Silverman's musings on music theory and pedagogy can be found online at http://musictheoryprof.com.

updated August, 2014

UPCOMING CONCERTS

October 19
Quick Blood and Sparklefrog World Premiere
Performed by the Florida State University Percussion Ensemble (John W. Parks IV, director) at Florida State University (Tallahassee, FL)

November 3 & 4
Quick Blood and Gasoline Rainbow
Performed by the University of South Alabama Percussion Ensemble (Luis Rivera, director) at University of South Alabama (Mobile, AL)

November 6
Carbon Paper and Nitrogen Ink — concerto for marimba and wind ensemble
Performed by marimbist Thad Anderson with the University of Central Florida Wind Ensemble (Scott Tobias, conductor) (Orlando, FL)

November 20
Quick Blood
Performed by the University of South Alabama Percussion Ensemble (Luis Rivera, director) at PASIC (Indianapolis, IN)

December 7
Carbon Paper and Nitrogen Ink — concerto for marimba and wind ensemble
Performed by marimbist Phillip R. O'Banion with the West Chester University Wind Ensemble (Andrew Yozviak, conductor) (West Chester, PA)

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NEW RECORDINGS

Naked and On Fire
2013:
From the CD Florida State University Percussion Ensemble: Not Far From Here
Naked and On Fire
for percussion sextet performed by Florida State University Percussion Ensemble (John W. Parks IV, director).

Dedication CD
2011:
From the CD Dedication
Just a Minute, Chopin
performed by the Prism Quartet